Showing posts with label Dolce and Gabbana. Show all posts
Showing posts with label Dolce and Gabbana. Show all posts

Thursday, January 6, 2011

Mariano Vivanco for Dolce & Gabbana Uomini......


The sexy Ford models previews the new Uomini book photographed by amazing fashion photographer Mariano Vivanco for Dolce & Gabbana. The beautiful images start off with Brazilian dream Andre Ziehe.







Tuesday, June 1, 2010

Madonna for Dolce & Gabana MDG Eye-Wear......


Supermodel Tyson Ballou steams of these images with Madonna for Dolce & Gabana MDG eye-wear campaign, photographed by Steven Klein.








Thursday, November 5, 2009

2010 campaign for Dolce & Gabbana.....


Yesterday, Stefano Gabbana took to Twitter to share behind the scenes pictures from the shoot for the spring 2010 campaign for Dolce & Gabbana. Check out these behind the scene photos from the shoot. I can't wait to see the final result!




Tuesday, October 13, 2009

Extreme Beauty......


Extreme Beauty in Vogue is a new photography book, released today October 13, which celebrates the many different faces and boundaries of beauty through iconic images that have been featured on the pages of American Vogue during the past 75 years.The book is the result of a recent exhibition in Milan by Dolce & Gabbana celebrating the launch of their debut makeup collection. The exhibit was created and curated by American Vogue with design and art direction by Jean Nouvel. It featured the photography of the likes of Bruce Weber, Steven Klein, Steven Meisel, Herb Ritts, Annie Leibovitz, Richard Avedon, Helmut Newton, Ellen Von Unwerth, and many more.


Saturday, July 25, 2009

backstage at Dolce & Gabbana....




Dolce & Gabbana are great at providing awesome backstage content. Check out these two new videos of the action at the Dolce & Gabbana and D&G Spring-Summer 2010 shows



Sunday, June 21, 2009

How will you be dressed for the flood....


During the first day of the Italian men’s shows, the wave of cropped trousers appeared to have been designed in anticipation of The Great Flood.


Dolce & Gabbana were the first to ride the tide with a parade of bejeweled and embroidered black evening jackets that were shown with full pants that tapered into cropped cuffs. Some of the most successful looks accentuated this proportion by showing the pants with a simple solid silk shirt with contrasting placket and tank top underneath…with a bejeweled shoe, certo.

Angela Missoni’s charmingly bohemian take on this trend for attenuated pants featured cropped, pleated (stay with me now!) full-cut jeans, in bleached or faded denim. Somehow they worked. Loose, light linen trenchcoats and cropped pants in plaids and pale ocean colors paired with slouchy cotton sweaters recalled the stylist Ray Petri’s Buffalo seminal look from the 1980’s.

Christopher Bailey’s appropriately outerwear-heavy Burberry collection featured signature trenches and jackets in waxed cotton and ultra-light ruched nylon and leather. Squall-ready technical pieces in bright red, yellow and cobalt popped alongside the otherwise winning neutral palette. All looks were shown with weathered Chelsea boots and washed khaki bags and rucksacks with worn leather trim.



Giorgio Armani started his show with several iterations of the pale grey suit that were nicely deconstructed and form-fitting yet not constricting — the perfect uniform for the evolving workplace. A group of crisp navy and white sport jackets, shown with matching and contrasting board shorts, was a clever take on tailoring that illustrated the many possibilities for the suit, swim and otherwise.

In his collection for Jil Sander, Raf Simons used racy illustrations by the Japanese artist Leonard Foujita to give his precise and highly refined collection some much appreciated sensuality. Foujita’s group scenes and portraits were projected onto the showroom walls and also appeared on slender pants, loose tank tops and sheer cotton short-sleeved shirts, giving the pieces a little bit of a sexy bite.

Meanwhile, the concisely sharp Bottega Veneta show opened with a slightly military group of washed olive and khaki cottons featuring — you guessed it — cropped pants, only this time they were a tad more slender and featured zips at the ankle. Tie-dyed knits and ombré scarves in graduating tones brightened up the neutrals and led the way to a fantastic grouping of red and fuchsia tailored and sportswear combinations.

read more at http://themoment.blogs.nytimes.com/